![]() It was directed and choreographed by Casey Nicholaw. The Broadway production opened in May 2006 at the Marquis Theatre. An out-of-town engagement followed at the Ahmanson Theatre in Los Angeles (2005), and after alterations, The Drowsy Chaperone opened on Broadway on. The reading captured McCollum's interest and eventually resulted in Miller, McCollum and Bob Boyett, Stephanie McClelland, Barbara Freitag and Jill Furman committing to producing the play. With Canadian actor and fund-raiser Paul Mack, Miller produced a reading for the New York's National Alliance for Musical Theatre on 5 October 2004 – and invited Broadway producer Kevin McCollum. Miller saw potential in the show and he optioned the rights. During that production, Linda Intaschi, Associate Producer of Mirvish Productions, invited New York producer Roy Miller to see the musical. Box office success and favourable notices led Mirvish in 2001 to finance further development and produce a full-scale version at Toronto's 1000-seat Winter Garden Theatre. įollowing the Fringe staging, Toronto commercial theatre producer David Mirvish financed an expanded production at Toronto's 160-seat, independent Theatre Passe Muraille in 1999. When the show was reshaped for the Toronto Fringe Festival, Martin became a co-writer, creating Man in Chair to serve as a narrator/commentator for the piece. In its first incarnation, there was no Man in Chair, the musical styles ranged from the 1920s to the 1940s, and the jokes were more risqué. The Drowsy Chaperone started in 1997, when Don McKellar, Lisa Lambert, Greg Morrison and several friends created a spoof of old musicals for the stag party of Bob Martin and Janet van de Graaf. The show has had major productions in Toronto, Los Angeles, New York, London, Melbourne and Japan, as well as two North American tours as well as Batemans Bay in south eastern Australia. The show was nominated for multiple Broadway and West End theatre awards, winning five Tony Awards and seven Drama Desk Awards. The Drowsy Chaperone debuted in 1998 at The Rivoli in Toronto, and, after a 2005 run in Los Angeles, opened on Broadway on May 1, 2006. As the record plays, the show - a parody of 1920s American musical comedy - comes to life onstage, as the man wryly comments on the music, story and actors. The story concerns a middle-aged, asocial musical theater fan who, feeling "blue", decides to play for the audience an LP of his favorite musical, the fictional 1928 show The Drowsy Chaperone. Turns out she has a good reason: she was actually raised in an orphanage there for a short while before being adopted by kindly midwestern farmers, and now wants to find her birth parents.The Drowsy Chaperone is a Canadian musical with music and lyrics by Lisa Lambert and Greg Morrison, and a book by Bob Martin and Don McKellar. When she hears that local pianist Myra Brooks (Victoria Hill) is in search of a chaperone to accompany her precocious but exceedingly talented teenage daughter Louise (Haley Lu Richardson) to New York to attend a prestigious dance school, Norma mysteriously jumps at the chance. ![]() When first met in 1922 in Wichita, Kansas, Norma seems like a nice, churchgoing lady of a certain age, respectably married to a lawyer (Campbell Scott) and mother of two practically grownup sons. Here, that parallax view is from the perspective of Norma – played by Lady Grantham herself, Elizabeth McGovern, taking a lead role for a change. Like so much of Fellowes’ work, it effectively flatters the viewer by assuming he or she must be familiar with certain historical figures (in this case, early cinema star Louise Brooks) and then appears to dish the dirt on them through the eyes of a character from another class or at least different social sphere. W ritten by Julian Fellowes, who brought us Downton Abbey and recent series The Gilded Age, and directed by Michael Engler, who worked on both the aforementioned, this based-extremely-loosely-on-fact costume drama adapted from a novel by Laura Moriarty should hit the sweet spot for fans of Fellowes’ particular variety of saucy-soapy period pieces.
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